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Director of a Film Mirrors His Personal Creative Vision - Assignment Example

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The paper "Director of a Film Mirrors His Personal Creative Vision" describes that fear of marriage and Voyeurism form the principal themes in the film The Rear Window. As the audience, we should not be fearful of marriage and the imagined state of life and understanding each other. …
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Director of a Film Mirrors His Personal Creative Vision
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Extract of sample "Director of a Film Mirrors His Personal Creative Vision"

The term auteur refers to someone who writes and directs films of unique and personal style. The term auteur is attributed to the auteur theory, which holds that a director of a film mirrors his creative vision in the film.

2. What is meant by the term genre? What genre is Rear Window and what recognizable elements are present in the film that helps to identify its generic identity?
This is a category of an artistic work, which is characterized by a specific technique such as the genre of epic poetry. The Rear Window is a drama genre. The primary element that helps in identifying the generic identity is the mastery of suspense.

3. What are the principal themes in Rear Window? In other words, what is the film about? Bear in mind that this is a different issue than thinking about what happens in the film (though they are closely related of course). What are the bigger ideas to which the film is pointing us?

4. Identify several different analytical positions from which we can approach any film. Define each of them briefly and explain why a feminist perspective has been used so frequently to explain Rear Window.
Instinctive approach: The mind remains closed to alternatives and focuses on the initial satisfactory solution or understanding.
Structured approach: The mind remains open to alternatives that provide a better solution or understanding.
The feminist perspective is used in the film The Rear Window to reflect the gender role stereotypes. The display of gender roles is best understood through the embracing of the relationship between the primary characters Jeffries and Lisa (John, 24).

5. Rear Window is now nearly 60 years old. To what extent has it maintained its ability to create fear, panic, and tension in an audience? Do you think it would be a “better” film if Hitchcock had had access to the kinds of seamless special effects we see in modern movies?
The ability to sustain fear, panic, and tension for over 60 years since the production of the Rear Window film is possible because of the setting and the realism expressed in the primary characters throughout the film. Jeffries expresses fear when he decides not to marry his girlfriend (John, 22). The fear that marriage is a difficult institution attributed to his experience with the neighbors trickles down to the audience in the form of panic and tension.

6. Who was Sigmund Freud and why might he so frequently be associated with the films of Alfred Hitchcock?
Sigmund Freud is a well-renowned founding father of Psychoanalysis who also specialized in Neurology and Psychotherapy (John, 123). The association of Freud and Hitchcock exists because Hitchcock was unconvinced of the legitimacy of Freud’s psychoanalytic theory, he mocked it in his films, and he however appreciated the magnetism of the psychoanalytic course and the universal charisma of Freud’s theoretical world. Read More
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